Tuesday, 7 June 2011

Emacs user at work

Despite being designed by a Vim user, and despite its implied criticism of Emacs, I still enjoyed this image:

















ashawley in the comments below points out the similarity with the 1981 cover of the EMACS Manual:



Saturday, 21 May 2011

rms on apple and brain scans


Some Apple addicts truly worship that company, suggest brain scans.
That must be why they allow it to abuse them so much and don't care.
I know a number of Apple fans, and they do tend to have strongly favourable attitudes towards Apple products. (Apple things generally seem to be superior to Microsoft things, but the Apple company doesn't seem any less evil than Microsoft, and Linux is generally superior to both anyway.)

But I question whether this is a reaction which is actually specific to Apple fans. I imagine my brain scans might show similar reactions to GNU/Linux and Emacs.... (Most Windows/Microsoft users probably wouldn't show similar results, given that it's really just the "default" nowadays.)

Wednesday, 6 April 2011

Emacs in Tron

JT Nimoy discusses the creation of software art for creating visual effects in the film Tron: Legacy. Additionally, he mentions that:
In Tron, the hacker was not supposed to be snooping around on a network; he was supposed to kill a process. So we went with posix kill and also had him pipe ps into grep. I also ended up using emacs eshell to make the terminal more l33t. The team was delighted to see my emacs performance -- splitting the editor into nested panes and running different modes. I was tickled that I got emacs into a block buster movie. I actually do use emacs irl, and although I do not subscribe to alt.religion.emacs, I think that's all incredibly relevant to the world of Tron.




Links:
(1) The original article/post by JT Nimoy
(2) On jwz's blog
(3) On boingboing
(4) On reddit

Tip: Showing blocked syntactic movement in LaTeX with tikz(-qtree)

Minimal example showing how to indicate blocked/illegal syntactic movement in LaTeX using the tikz and tikz-qtree packages.

\documentclass{article}
\usepackage{tikz}
\usepackage{tikz-qtree}
\begin{document}
\begin{tikzpicture}[baseline,description/.style={fill=white,inner sep=2pt}]
  \Tree [.A [.B \node(b){b}; ] [.C c [.D d [.E e [.F f [.G g [.H \node(h){h}; ]]]]]]]
  \draw [dashed, ->, bend left] (h) to node [description] {\LARGE $\times$} (b);
\end{tikzpicture}
\end{document}


Thanks to Andy Lücking and Alexis Dimitriadis from the Ling-TeX mailing list.

Saturday, 19 March 2011

Tip: let Synaptic handle updates to Buuf icon set

If you want the synaptic package manager to keep your Buuf icons up-to-date, you can do so by using the Ubuntu Satanic Edition repository, as follows:


1) add the secure key; in terminal enter:
wget -q http://ubuntusatanic.org/ubuntu-se-key.gpg -O- | sudo apt-key add -

2) add the following repository to your system (you could go to Go System->Administration->Software Sources->Other Software->Add and enter the following APT line:), choose the appropriate version (the following assumes you're using Ubuntu Maverick 10.10):
deb http://ubuntusatanic.org/hell maverick main

3) then in the terminal add the Buuf package by entering:
sudo apt-get update && sudo apt-get install buuf-icon-theme

Thursday, 3 February 2011

Tunes from an alternative Victorian era: Sunday Driver

Sunday Driver were formed in the summer of 2000, though lead singer Chandrika "Chandy" Nath had earlier composed some of the songs whilst monitoring ice floes near the South Pole, during a field trip in Antarctica, collecting data for the British Antarctic Survey.

Chandy has a Ph.D. (in physics, I think), and the band's name "Sunday Driver" derives from the moniker of a gene (SYD) commonly found in mice; and the music mixes Indian (Carnatic) and English folk music, along with early 20th century classical music (Ravel, Glass, etc.) and West End musicals, topped off with a (originally unintentional, I believe) steampunky twist.

Their first album, "In the City of Dreadful Night", is available here: www.sundaydriver.co.uk. From their own description: "...inspiration from Victorian London and Raj-era Calcutta, the tracks range from hypnotic to bittersweet."

In any case, here's...

A nice sampler:

A few interviews:

And a few promotion photos suitable for wallpaper: